1
Mitchell WJT. Introduction. In: Landscape and power. Chicago: : University of Chicago Press 2002. 1–4.
2
Barrell J. The dark side of the landscape: the rural poor in English paintings, 1730-1840. Cambridge: : Cambridge University Press 1980.
3
Quilley G, Kriz KD. Pastoral plantations: the British slave trade and the representation of colonial landscape in the late eighteenth century. In: An economy of colour: visual culture and the Atlantic world, 1660-1830. Manchester, UK: : Manchester University Press 2003. 106–28.
4
Weizman E. Hollow land: Israel’s architecture of occupation. London: : Verso 2007.
5
Serres M. War, Peace. In: The natural contract. Ann Arbor: : University of Michigan Press 1995. 1–27.
6
Dipesh Chakrabarty. The Climate of History: Four Theses. Critical Inquiry 2009;35:197–222.http://www.jstor.org/stable/10.1086/596640
7
Yates McKee. Qui Parle. 2011;19:309–25.https://browzine.com/libraries/1374/journals/33484/issues/current
8
Marx L. The machine in the garden: technology and the pastoral ideal in America. New York: : Oxford University Press 2000. http://www.loc.gov/catdir/enhancements/fy0603/99034697-d.html
9
Herzog W. Encounters at the end of the world. 2007.https://learningonscreen.ac.uk/ondemand/index.php/prog/0101D4C8
10
Rushdie S. The satanic verses. London: : Vintage 2006.
11
Calvino I, Weaver W. Invisible cities. London: : Vintage 1997.
12
Malinowski B. A diary in the strict sense of the term. 2nd ed. =. London: : Athlone 1989.
13
Cook J, Edwards P, Beaglehole JC. Excerpt from his ‘Endeavour Journal,’ March to June of 1769. In: The Journals of Captain James Cook on his Voyages of Discovery. London: : Penguin 1954. 62–98.
14
Taussig MT. I swear I saw this: drawings in fieldwork notebooks, namely my own. Chicago: : The University of Chicago Press 2011. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780226789842
15
Downey J. The Laughing Alligator. Surveying the first decade: video art and alternative media in the U.S., Program 6: Decentralized communications projects. 1979.
16
Minh-Ha TT. Reassemblage: From the Firelight to the Screen. 1983.http://www.youtube.com/watch?v=Cc5G2-rTKis
17
Debord G. Theory of the Dérive. In: Situationist International anthology. Berkeley, Calif: : Bureau of Public Secrets 1958. 62–7.
18
Rule F. London’s docklands: the history of the lost quarter. Hersham: : Ian Allan 2009.
19
Kirschner A, Panos D. Polly II: Plan For A Revolution In Docklands. Fresh moves: new moving images from the UK : a DVD of film and video art presented by tank.tv. 2006.http://kirschner-panos.info/index.php?/project/polly-ii/
20
Buck-Morss S, Benjamin W. Natural History: Fossil. In: The dialectics of seeing: Walter Benjamin and the Arcades Project. London: : MIT Press 1989.
21
Buck-Morss S. Dream World of Mass Culture. In: Modernity and the hegemony of vision. Berkeley: : University of California Press 1993. 309–38.
22
Adorno TW. The Idea of Natural History. Telos: a quarterly journal of politics, philosophy, critical theory, culture and the arts 1932;60:111–24.
23
Baichwal J. Manufactured landscapes. 2007.
24
Michael Taussig. The Beach (A Fantasy). Critical Inquiry 2000;26:248–78.http://www.jstor.org/stable/1344123
25
Dening G. Mr Bligh’s bad language: passion, power and theatre on the Bounty. Cambridge: : Cambridge University Press 1992.
26
Latour B. Centres of Calculation. In: Science in action: how to follow scientists and engineers through society. Cambridge, Mass: : Harvard University Press 1997. 215–57.
27
Renno R. Vera Cruz. 2000.http://www.youtube.com/watch?v=hXIW1NjsQbI
28
Gilroy P. The Black Atlantic as a Counterculture of Modernity. In: The black Atlantic: modernity and double consciousness. Cambridge, Mass: : Harvard University Press 1993. 1–41.
29
Glissant E, Wing B. Poetics of relation. Ann Arbor: : University of Michigan Press 1997.
30
Walcott D. The Sea is History. 1930.http://www.poets.org/poetsorg/poem/sea-history
31
Ghosh A. Sea of poppies. London: : John Murray 2009.
32
Julien I, Chambers I, Goldberg R, et al. Western union: small boats. Warszawa: : Centrum Sztuki Wspoczesnej Zamek Ujazdowski 2009.
33
Rieu EV, Rieu DCH, Jones PV, et al. The odyssey. London: : Penguin Books 2003.
34
Walcott D. Omeros. London: : Faber 1990. http://www.aspresolver.com/aspresolver.asp?CALI;1000086783
35
Helmreich S. Nature/Culture/Seawater. American Anthropologist 2011;113:132–44. doi:10.1111/j.1548-1433.2010.01311.x
36
Steinberg PE. The social construction of the ocean. Cambridge: : Cambridge University Press 2001.
37
Rediker M. History from below the water line: Sharks and the Atlantic slave trade. Atlantic Studies 2008;5:285–97. doi:10.1080/14788810802149758
38
Steinberg PE. Of other seas: metaphors and materialities in maritime regions. Atlantic Studies 2013;10:156–69. doi:10.1080/14788810.2013.785192
39
Julien I. Paradise Omeros. 2002.https://www.isaacjulien.com/projects/paradise-omeros/
40
Demos TJ. Video’s Migrant Geography: Ursula Biemann’s Sahara Chronicle. In: The migrant image: the art and politics of documentary during global crisis. Durham: : Duke University Press 2013. 201–21.
41
Back L. Beaches and graveyards: Europe’s haunted borders. Postcolonial Studies 2009;12:329–40. doi:10.1080/13688790903232377
42
Harvard University. Between Mobility and Control: The Mediterranean at the Borders of Europe. In: Petrov A, ed. New geographies: 5: The Mediterranean. [Cambridge, Massachusetts]: : Harvard University Graduate School of Design 2013.
43
Mezzadra S, Neilson B. Border as method, or, the multiplication of labor. Durham: : Duke University Press 2013. https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780822377542
44
Cresswell T. On the move: mobility in the modern Western world. London: : Routledge 2006.
45
CAMP. From Gulf to Gulf to Gulf. 2013.
46
George S. Qu’ils se reposent en revolte. 2010.
