[1]
Adorno, T.W. 1932. The Idea of Natural History. Telos: a quarterly journal of politics, philosophy, critical theory, culture and the arts. 60, (1932), 111–124.
[2]
Back, L. 2009. Beaches and graveyards: Europe’s haunted borders. Postcolonial Studies. 12, 3 (Sep. 2009), 329–340. DOI:https://doi.org/10.1080/13688790903232377.
[3]
Baichwal, J. 2007. Manufactured landscapes. Mercury Films Inc. ; Foundry Films. ; National Film Board of Canada. ; TVOntario ; Zeitgeist Films.
[4]
Barrell, J. 1980. The dark side of the landscape: the rural poor in English paintings, 1730-1840. Cambridge University Press.
[5]
Buck-Morss, S. 1993. Dream World of Mass Culture. Modernity and the hegemony of vision. University of California Press. 309–338.
[6]
Buck-Morss, S. and Benjamin, W. 1989. Natural History: Fossil. The dialectics of seeing: Walter Benjamin and the Arcades Project. MIT Press.
[7]
Calvino, I. and Weaver, W. 1997. Invisible cities. Vintage.
[8]
CAMP 2013. From Gulf to Gulf to Gulf.
[9]
Cook, J. et al. 1954. Excerpt from his ‘Endeavour Journal,’ March to June of 1769. The Journals of Captain James Cook on his Voyages of Discovery. Penguin. 62–98.
[10]
Cresswell, T. 2006. On the move: mobility in the modern Western world. Routledge.
[11]
Debord, G. 1958. Theory of the Dérive. Situationist International anthology. Bureau of Public Secrets. 62–67.
[12]
Demos, T.J. 2013. Video’s Migrant Geography: Ursula Biemann’s Sahara Chronicle. The migrant image: the art and politics of documentary during global crisis. Duke University Press. 201–221.
[13]
Dening, G. 1992. Mr Bligh’s bad language: passion, power and theatre on the Bounty. Cambridge University Press.
[14]
Dipesh Chakrabarty 2009. The Climate of History: Four Theses. Critical Inquiry. 35, 2 (2009), 197–222.
[15]
Downey, J. 1979. The Laughing Alligator. Surveying the first decade: video art and alternative media in the U.S., Program 6: Decentralized communications projects. Video Data Bank in collaboration with Electronic Arts Intermix and Bay Area Video Coalition.
[16]
George, S. 2010. Qu’ils se reposent en revolte.
[17]
Ghosh, A. 2009. Sea of poppies. John Murray.
[18]
Gilroy, P. 1993. The Black Atlantic as a Counterculture of Modernity. The black Atlantic: modernity and double consciousness. Harvard University Press. 1–41.
[19]
Glissant, E. and Wing, B. 1997. Poetics of relation. University of Michigan Press.
[20]
Harvard University 2013. Between Mobility and Control: The Mediterranean at the Borders of Europe. New geographies: 5: The Mediterranean. A. Petrov, ed. Harvard University Graduate School of Design.
[21]
Helmreich, S. 2011. Nature/Culture/Seawater. American Anthropologist. 113, 1 (Mar. 2011), 132–144. DOI:https://doi.org/10.1111/j.1548-1433.2010.01311.x.
[22]
Herzog, W. 2007. Encounters at the end of the world. Discovery Films ; Image Entertainment ; Think Film ; Creative Differences Productions.
[23]
Julien, I. 2002. Paradise Omeros.
[24]
Julien, I. et al. 2009. Western union: small boats. Centrum Sztuki Wspoczesnej Zamek Ujazdowski.
[25]
Kirschner, A. and Panos, D. 2006. Polly II: Plan For A Revolution In Docklands. Fresh moves: new moving images from the UK : a DVD of film and video art presented by tank.tv. Tank Form Ltd.
[26]
Latour, B. 1997. Centres of Calculation. Science in action: how to follow scientists and engineers through society. Harvard University Press. 215–257.
[27]
Malinowski, B. 1989. A diary in the strict sense of the term. Athlone.
[28]
Marx, L. 2000. The machine in the garden: technology and the pastoral ideal in America. Oxford University Press.
[29]
Mezzadra, S. and Neilson, B. 2013. Border as method, or, the multiplication of labor. Duke University Press.
[30]
Michael Taussig 2000. The Beach (A Fantasy). Critical Inquiry. 26, 2 (2000), 248–278.
[31]
Minh-Ha, T.T. 1983. Reassemblage: From the Firelight to the Screen.
[32]
Mitchell, W.J.T. 2002. Introduction. Landscape and power. University of Chicago Press. 1–4.
[33]
Quilley, G. and Kriz, K.D. 2003. Pastoral plantations: the British slave trade and the representation of colonial landscape in the late eighteenth century. An economy of colour: visual culture and the Atlantic world, 1660-1830. Manchester University Press. 106–128.
[34]
Rediker, M. 2008. History from below the water line: Sharks and the Atlantic slave trade. Atlantic Studies. 5, 2 (Aug. 2008), 285–297. DOI:https://doi.org/10.1080/14788810802149758.
[35]
Renno, R. 2000. Vera Cruz.
[36]
Rieu, E.V. et al. 2003. The odyssey. Penguin Books.
[37]
Rule, F. 2009. London’s docklands: the history of the lost quarter. Ian Allan.
[38]
Rushdie, S. 2006. The satanic verses. Vintage.
[39]
Serres, M. 1995. War, Peace. The natural contract. University of Michigan Press. 1–27.
[40]
Steinberg, P.E. 2013. Of other seas: metaphors and materialities in maritime regions. Atlantic Studies. 10, 2 (Jun. 2013), 156–169. DOI:https://doi.org/10.1080/14788810.2013.785192.
[41]
Steinberg, P.E. 2001. The social construction of the ocean. Cambridge University Press.
[42]
Taussig, M.T. 2011. I swear I saw this: drawings in fieldwork notebooks, namely my own. The University of Chicago Press.
[43]
The Sea is History: 1930. http://www.poets.org/poetsorg/poem/sea-history.
[44]
Walcott, D. 1990. Omeros. Faber.
[45]
Weizman, E. 2007. Hollow land: Israel’s architecture of occupation. Verso.
[46]
Yates McKee 2011. Qui Parle. 19, 2 (2011), 309–325.
