Althusser, Louis. ‘Ideology and Ideological State Apparatuses’. In Art in Theory 1900-2000: An Anthology of Changing Ideas, New ed., 953–60. Malden, MA: Blackwell, 2003.
Austin, J. L. How to Do Things with Words. London: Oxford University Press, 1976.
Barthes, Roland. ‘Death of the Author’. In Image, Music, Text, 142–48. New York: Hill and Wang, 1977.
Bauman, Zygmunt. Liquid Times: Living in an Age of Uncertainty. Cambridge: Polity, 2007. https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780745673288.
Beech, Amanda. ‘Curatorial Futures with the Image: Overcoming Scepticism and Unbinding the Relational’. Journal of Visual Art Practice 9, no. 2 (December 2010): 139–51. https://doi.org/10.1386/jvap.9.2.139_1.
Bennett, Jane. ‘Chapter 2: The Agency of Assemblages’. In Vibrant Matter: A Political Ecology of Things, 20–38. Durham: Duke University Press, 2010. https://www.dawsonera.com/abstract/9780822391623.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. Brooklyn: Verso Books, 2012. https://gold.idm.oclc.org/login?url=https://hdl.handle.net/2027/fulcrum.rx913q57p.
Boltanski, Luc, and Eve Chiapello. The New Spirit of Capitalism. New York: Verso, 2005.
Bourriaud, Nicolas. ‘Relational Form’. In Relational Aesthetics, Documents sur l’art:11–25. Dijon: Les presses du r el, 2002.
Butler, Judith. ‘Demonstrating Precarity: Vulnerability, Embodiment, and Resistance’. Los Angeles Review of Books, n.d. https://lareviewofbooks.org/av/demonstrating-precarity-vulnerability-embodiment-resistance/.
———. ‘Gender Is Burning’. In The Visual Culture Reader, 448–62. London: Routledge, 1998.
———. Gender Trouble: Feminism and the Subversion of Identity. [3rd ed.]. Vol. Routledge classics. New York: Routledge, 2006. https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780203824979.
———. ‘“Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”’. In Performing Feminisms: Feminist Critical Theory and Theatre, 270–82. Baltimore: Johns Hopkins University Press, 1990.
Cook, Sarah, and Beryl Graham. ‘Introduction’. In Rethinking Curating: Art after New Media, Leonardo books:1–11. Cambridge, Mass: MIT, 2010.
Debord, Guy. Society of the Spectacle. Eastbourne: Soul Bay Press, n.d. http://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9781617508301.
Doherty, Claire. Contemporary Art: From Studio to Situation. London: Black Dog Pub, 2004.
Easterling, Keller. Extrastatecraft: The Power of Infrastructure Space. London: Verso, 2014.
Fisher, Jean. ‘Towards a Metaphysics of Shit’. In Documenta 11 : Platform 5 : Exhibition: The Catalogue Etc. Ostfildern-Ruit: Hatje Cantz, 2002.
Fisher, Mark. ‘Indirect Action: Some Misgivings About Horizontalism’. In Institutional Attitudes: Instituting Art in a Flat World, Antennae series:101–16. Amsterdam: Valiz, 2013.
Foucault, Michel. Language, Counter-Memory, Practice: Selected Essays and Interviews. Ithaca: Cornell University Press, 1977.
Gilles Deleuze. ‘Postscript on the Societies of Control’. October 59 (1992): 3–7. http://www.jstor.org/stable/778828.
Guattari, Felix. ‘Subjectivities: For Better and for Worse’. In The Guattari Reader, Blackwell readers:95–108. Oxford: Blackwell, 1996.
Hardt, Michael, and Antonio Negri. Empire. Cambridge, Mass: Harvard University Press, 2000. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780674038325.
———. Empire. Cambridge, Mass: Harvard University Press, 2000. https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780674038325.
Kholeif, Omar. ‘The Curator’s New Medium’. In You Are Here: Art after the Internet, edited by Omar Kholeif, 78–85. Manchester: Cornerhouse, 2014.
Lorey, Isabell. ‘On Democracy and Occupation: Horizontality and the Need for New Forms of Verticality’. In Institutional Attitudes: Instituting Art in a Flat World, Antennae series:77–100. Amsterdam: Valiz, 2013.
Lütticken, Sven. ‘'Art and Thingness Part I: Breton’s Ball and Duchamp’s Carrot’’. Electronic resource. E-Flux, no. 10 (n.d.). http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505305222&site=ehost-live.
Mansfield, Nick. Subjectivity: Theories of the Self from Freud to Haraway. New York: New York University Press, 2000.
Martinon, Jean-Paul. The Curatorial: A Philosophy of Curating. London: Bloomsbury Academic, 2013. https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fidp.goldsmiths.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DGoldsmiths%252526isbn%25253D9781472523167.
Mouffe, Chantal. Art as a Public Issue: How Art and Its Institutions Reinvent the Public Dimension. Vol. Open : cahier on art and the public domain. Rotterdam: NAi Publishers, 2008.
O’Neill, Paul. Curating Subjects. Vol. Occasional table. London: Open Editions, 2007.
———. ‘The Curatorial Turn : From Practice to Discourse’. In Issues in Curating Contemporary Art and Performance, 13–28. Bristol: Intellect, 2007. https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9781841502151.
———. ‘"The Emergence of Curatorial Discourse from the Late 1960s to the Present”’. In The Culture of Curating and the Curating of Culture(s). Cambridge, Mass: The MIT Press, 2012.
O’Sullivan, Simon. Art Encounters Deleuze and Guattari: Thought beyond Representation. Vol. Renewing philosophy. New York: Palgrave Macmillan, 2005. https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780230512436.
Phillips, Andrea. ‘“Making the Public”’. In When Site Lost the Plot, edited by Robin Mackay, Redactions:77–84. Falmouth: Urbanomic Media, 2015.
Pil and Galia Kollectiv. ‘Some Notes on Art and Bureaucracy: Points for Discussion of Key Areas in Parallel Sessions at the Fourteenth Artists’ Regional Meeting’, n.d. http://www.kollectiv.co.uk/Bureaucracy.html.
Poole, Matthew. ‘“Specifities of Sitedness”’. In When Site Lost the Plot, edited by Robin Mackay, Vol. Redactions. Falmouth: Urbanomic Media, 2015.
Raqs Media Collective. ‘Additions, Subtractions: On Collectives and Collectivities’. Edited by Viktor Misiano. Manifesta Journal 8 (2009).
RAQS MEdia Collective. ‘To Culture: Curation as an Active Verb’. In Cultures of the Curatorial, 100–116. Berlin: Sternberg Press, 2012.
Rogoff, Irit. ‘'Smuggling: An Embodied Criticality’’. Irit Rogoff: From Criticism to Critique to Criticality | Eipcp.Net, 2006. http://eipcp.net/transversal/0806/rogoff1/en.
Rogoff, Irit, and von Bismarck Beatrice. ‘Curating/Curatorial’. In Cultures of the Curatorial, 21–40. Berlin: Sternberg Press, 2012.
Simon O’Sullivan. ‘Academy : The Production of Subjectivity’. In A.C.A.D.E.M.Y., 238–44. Frankfurt am Main: Revolver, 2006.
Smith, Terry. ‘Artists as Curators / Curators as Artists’. In Thinking Contemporary Curating, Perspectives in curating:101–38. New York, N.Y.: Independent Curators International, 2012.
Steyerl, Hito. ‘Politics of Art: Contemporary Art and the Transition to Post Democracy’. Electronic resource. E-Flux, n.d. http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505376536&site=ehost-live.
Vidokle, Anton. ‘Art Without Artists’. Electronic resource, 2010. http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505329811&site=ehost-live.
