Althusser, Louis. ‘Ideology and Ideological State Apparatuses’. Art in Theory 1900-2000: An Anthology of Changing Ideas. New ed. Malden, MA: Blackwell, 2003. 953–960. Print.
Austin, J. L. How to Do Things with Words. London: Oxford University Press, 1976. Print.
Barthes, Roland. ‘Death of the Author’. Image, Music, Text. New York: Hill and Wang, 1977. 142–148. Print.
Bauman, Zygmunt. Liquid Times: Living in an Age of Uncertainty. Cambridge: Polity, 2007. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780745673288>.
Beech, Amanda. ‘Curatorial Futures with the Image: Overcoming Scepticism and Unbinding the Relational’. Journal of Visual Art Practice 9.2 (2010): 139–151. Web.
Bennett, Jane. ‘Chapter 2: The Agency of Assemblages’. Vibrant Matter: A Political Ecology of Things. Durham: Duke University Press, 2010. 20–38. Web. <https://www.dawsonera.com/abstract/9780822391623>.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. Brooklyn: Verso Books, 2012. Web. <https://gold.idm.oclc.org/login?url=https://hdl.handle.net/2027/fulcrum.rx913q57p>.
Boltanski, Luc, and Eve Chiapello. The New Spirit of Capitalism. New York: Verso, 2005. Print.
Bourriaud, Nicolas. ‘Relational Form’. Relational Aesthetics. Documents sur l’art. Dijon: Les presses du r el, 2002. 11–25. Print.
Butler, Judith. ‘Demonstrating Precarity: Vulnerability, Embodiment, and Resistance’. Los Angeles Review of Books n. pag. Web. <https://lareviewofbooks.org/av/demonstrating-precarity-vulnerability-embodiment-resistance/>.
---. ‘Gender Is Burning’. The Visual Culture Reader. London: Routledge, 1998. 448–462. Print.
---. Gender Trouble: Feminism and the Subversion of Identity. [3rd ed.]. Routledge classics. New York: Routledge, 2006. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780203824979>.
---. ‘“Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory”’. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press, 1990. 270–282. Print.
Cook, Sarah, and Beryl Graham. ‘Introduction’. Rethinking Curating: Art after New Media. Leonardo books. Cambridge, Mass: MIT, 2010. 1–11. Print.
Debord, Guy. Society of the Spectacle. Eastbourne: Soul Bay Press. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9781617508301>.
Doherty, Claire. Contemporary Art: From Studio to Situation. London: Black Dog Pub, 2004. Print.
Easterling, Keller. Extrastatecraft: The Power of Infrastructure Space. London: Verso, 2014. Print.
Fisher, Jean. ‘Towards a Metaphysics of Shit’. Documenta 11 : Platform 5 : Exhibition: The Catalogue Etc. Ostfildern-Ruit: Hatje Cantz, 2002. Print.
Fisher, Mark. ‘Indirect Action: Some Misgivings About Horizontalism’. Institutional Attitudes: Instituting Art in a Flat World. Antennae series. Amsterdam: Valiz, 2013. 101–116. Print.
Foucault, Michel. Language, Counter-Memory, Practice: Selected Essays and Interviews. Ithaca: Cornell University Press, 1977. Print.
Gilles Deleuze. ‘Postscript on the Societies of Control’. October 59 (1992): 3–7. Web. <http://www.jstor.org/stable/778828>.
Guattari, Felix. ‘Subjectivities: For Better and for Worse’. The Guattari Reader. Blackwell readers. Oxford: Blackwell, 1996. 95–108. Print.
Hardt, Michael, and Antonio Negri. Empire. Cambridge, Mass: Harvard University Press, 2000. Web. <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780674038325>.
---. Empire. Cambridge, Mass: Harvard University Press, 2000. Web. <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780674038325>.
Kholeif, Omar. ‘The Curator’s New Medium’. You Are Here: Art after the Internet. Ed. Omar Kholeif. Manchester: Cornerhouse, 2014. 78–85. Print.
Lorey, Isabell. ‘On Democracy and Occupation: Horizontality and the Need for New Forms of Verticality’. Institutional Attitudes: Instituting Art in a Flat World. Antennae series. Amsterdam: Valiz, 2013. 77–100. Print.
Lütticken, Sven. ‘'Art and Thingness Part I: Breton’s Ball and Duchamp’s Carrot’’. E-flux 10 n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505305222&site=ehost-live>.
Mansfield, Nick. Subjectivity: Theories of the Self from Freud to Haraway. New York: New York University Press, 2000. Print.
Martinon, Jean-Paul. The Curatorial: A Philosophy of Curating. London: Bloomsbury Academic, 2013. Web. <https://shibboleth2sp.gar.semcs.net/Shibboleth.sso/Login?entityID=https%3A%2F%2Fidp.goldsmiths.ac.uk%2Fidp%2Fshibboleth&target=https%3A%2F%2Fshibboleth2sp.gar.semcs.net%2Fshib%3Fdest%3Dhttp%253A%252F%252Fwww.vlebooks.com%252FSHIBBOLETH%253Fdest%253Dhttp%25253A%25252F%25252Fwww.vlebooks.com%25252Fvleweb%25252Fproduct%25252Fopenreader%25253Fid%25253DGoldsmiths%252526isbn%25253D9781472523167>.
Mouffe, Chantal. Art as a Public Issue: How Art and Its Institutions Reinvent the Public Dimension. Open : cahier on art and the public domain. Rotterdam: NAi Publishers, 2008. Print.
O’Neill, Paul. Curating Subjects. Occasional table. London: Open Editions, 2007. Print.
---. ‘The Curatorial Turn : From Practice to Discourse’. Issues in Curating Contemporary Art and Performance. Bristol: Intellect, 2007. 13–28. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9781841502151>.
---. ‘"The Emergence of Curatorial Discourse from the Late 1960s to the Present”’. The Culture of Curating and the Curating of Culture(s). Cambridge, Mass: The MIT Press, 2012. Print.
O’Sullivan, Simon. Art Encounters Deleuze and Guattari: Thought beyond Representation. Renewing philosophy. New York: Palgrave Macmillan, 2005. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780230512436>.
Phillips, Andrea. ‘“Making the Public”’. When Site Lost the Plot. Ed. Robin Mackay. Redactions. Falmouth: Urbanomic Media, 2015. 77–84. Print.
Pil and Galia Kollectiv. ‘Some Notes on Art and Bureaucracy: Points for Discussion of Key Areas in Parallel Sessions at the Fourteenth Artists’ Regional Meeting’. N.p., n.d. Web. <http://www.kollectiv.co.uk/Bureaucracy.html>.
Poole, Matthew. ‘“Specifities of Sitedness”’. When Site Lost the Plot. Ed. Robin Mackay. Redactions. Falmouth: Urbanomic Media, 2015. Print.
Raqs Media Collective. ‘Additions, Subtractions: On Collectives and Collectivities’. Ed. Viktor Misiano. Manifesta journal 8 (2009): n. pag. Print.
RAQS MEdia Collective. ‘To Culture: Curation as an Active Verb’. Cultures of the Curatorial. Berlin: Sternberg Press, 2012. 100–116. Print.
Rogoff, Irit. ‘'Smuggling: An Embodied Criticality’’. Irit Rogoff: From Criticism to Critique to Criticality | eipcp.net (2006): n. pag. Web. <http://eipcp.net/transversal/0806/rogoff1/en>.
Rogoff, Irit, and von Bismarck Beatrice. ‘Curating/Curatorial’. Cultures of the Curatorial. Berlin: Sternberg Press, 2012. 21–40. Print.
Simon O’Sullivan. ‘Academy : The Production of Subjectivity’. A.C.A.D.E.M.Y. Frankfurt am Main: Revolver, 2006. 238–244. Print.
Smith, Terry. ‘Artists as Curators / Curators as Artists’. Thinking Contemporary Curating. Perspectives in curating. New York, N.Y.: Independent Curators International, 2012. 101–138. Print.
Steyerl, Hito. ‘Politics of Art: Contemporary Art and the Transition to Post Democracy’. E-flux n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505376536&site=ehost-live>.
Vidokle, Anton. ‘Art Without Artists’. (2010): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=asu&AN=505329811&site=ehost-live>.