1.
Brown, J.: Music in film and television. In: An introduction to music studies. pp. 201–215. Cambridge University Press, Cambridge (2009).
2.
Buhler, J., Neumeyer, D., Deemer, R.: Hearing the movies: music and sound in film history. Oxford University Press, New York (2010).
3.
Dickinson, K.: Movie music: the film reader. Routledge, New York (2002).
4.
Larsen, P.: Film music. Reaktion Books, London (2007).
5.
Bordwell, D., Thompson, K.: Film art: an introduction. McGraw-Hill, New York (2013).
6.
Davison, A.: Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s (Chapters 1-3). Presented at the (2004).
7.
Hill, J., Gibson, P.C.: The Oxford guide to film studies. Oxford University Press, Oxford (1998).
8.
Nelmes, J.: Introduction to film studies. Routledge, London (2012).
9.
Cooke, M.: A history of film music. Cambridge University Press, Cambridge (2008).
10.
Hubbert, J.B.: Celluloid symphonies: texts and contexts in film music history. University of California Press, Berkeley (2011).
11.
Wierzbicki, J.E.: Film music: a history. Routledge, New York (2009).
12.
Wierzbicki, J.E., Platte, N., Roust, C., Routledge (Firm): The Routledge film music sourcebook. Routledge, New York (2012).
13.
Brown, J., Davison, A.: The sounds of the silents in Britain. Oxford University Press, Oxford (2013).
14.
Altman, R.: Silent film sound. Columbia University Press, New York (2004).
15.
Buhler, J.: ‘Star Wars, Music and Myth’ in Music and Cinema. Presented at the (2000).
16.
Kalinak, K.M.: Settling the score: music and the classical Hollywood film. University of Wisconsin Press, Madison (1992).
17.
Gorbman, C., British Film Institute: Unheard melodies: narrative film music. BFI Publishing, London (1987).
18.
Franklin, P.: Seeing through music: gender and modernism in classic Hollywood film scores. Oxford University Press, Oxfordk (2011).
19.
Smith, J.: The sounds of commerce: marketing popular film music. Columbia University Press, New York (1998).
20.
Wojcik, P.R., Knight, A.: Soundtrack available: essays on film and popular music. Duke University Press, Durham, NC (2001).
21.
Donnelly, K.: Film music: critical approaches. Edinburgh University Press, Edinburgh (2001).
22.
Kassabian, A.: Hearing film: tracking identifications in contemporary Hollywood film music. Routledge, London (2001).
23.
Slobin, M.: Global soundtracks: worlds of film music. Wesleyan University Press, Middletown, Conn (2008).
24.
Scheurer, T.E.: Music and mythmaking in film: genre and the role of the composer. McFarland, Jefferson, N.C. (2008).
25.
Hayward, P. ed: Terror tracks: music, sound and horror cinema. Equinox, London (2009).
26.
Coyle, R. ed: Drawn to sound: animation film music and sonicity. Equinox, London (2010).
27.
Donnelly, K.J., Hayward, P. eds: Music in science fiction television: tuned to the future. Routledge, New York (2013).
28.
Goldmark, D., Kramer, L., Leppert, R.D.: Beyond the soundtrack: representing music in cinema. University of California Press, Berkeley CA (2007).
29.
Tagg, P., Clarida, R.: Ten little title tunes: towards a musicology of the mass media. Mass Media Music Scholars’ Press, New York (2003).
30.
Heldt, G.: Music and levels of narration in film: steps across the border. Intellect, Bristol (2013).
31.
Altman, R.: Sound theory, sound practice. Routledge, New York (1992).
32.
Chion, M., Gorbman, C., Murch, W.: Audio-vision: sound on screen. Columbia University Press, New York (1994).
33.
Chion, M., Gorbman, C.: Film, a sound art. Columbia University Press, New York (2009).
34.
Donnelly, K.J.: Occult aesthetics: synchronization in sound film. Oxford University Press, New York (2014).
35.
Wierzbicki, J.E. ed: Music, sound and filmmakers: sonic style in cinema. Routledge, New York, NY (2012).
