Bibliography for Music in Film BETA

Altman, R. (1992) Sound theory, sound practice. New York: Routledge.

Altman, R. (2004) Silent film sound. New York: Columbia University Press.

Bordwell, D. and Thompson, K. (2013) Film art: an introduction. 10th ed., international edition. New York: McGraw-Hill.

Brown, J. (2009) ‘Music in film and television’, in An introduction to music studies. Cambridge: Cambridge University Press, pp. 201–215. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780511718403.

Brown, J. and Davison, A. (2013) The sounds of the silents in Britain. Oxford: Oxford University Press. Available at: https://gold.idm.oclc.org/login?url=https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780199797615.001.0001/acprof-9780199797615.

Buhler, J. (2000) ‘“Star Wars, Music and Myth” in Music and Cinema’, in J. Buhler, D. Neumeyer, and C. Flinn (eds). Hanover, NH: University Press of New England.

Buhler, J., Neumeyer, D. and Deemer, R. (2010) Hearing the movies: music and sound in film history. New York: Oxford University Press.

Chion, M. and Gorbman, C. (2009) Film, a sound art. New York: Columbia University Press.

Chion, M., Gorbman, C. and Murch, W. (1994) Audio-vision: sound on screen. New York: Columbia University Press.

Cooke, M. (2008) A history of film music. Cambridge: Cambridge University Press.

Coyle, R. (ed.) (2010) Drawn to sound: animation film music and sonicity. London: Equinox.

Davison, A. (2004) ‘Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s (Chapters 1-3)’, in. Aldershot, Hants, England: Ashgate.

Dickinson, K. (2002) Movie music: the film reader. New York: Routledge.

Donnelly, K. (2001) Film music: critical approaches, ‘Would You Like to Hear Some Music’. Edinburgh: Edinburgh University Press.

Donnelly, K.J. (2014) Occult aesthetics: synchronization in sound film. New York: Oxford University Press.

Donnelly, K.J. and Hayward, P. (eds) (2013) Music in science fiction television: tuned to the future. New York: Routledge.

Franklin, P. (2011) Seeing through music: gender and modernism in classic Hollywood film scores. Oxfordk: Oxford University Press.

Goldmark, D., Kramer, L. and Leppert, R.D. (2007) Beyond the soundtrack: representing music in cinema. Berkeley CA: University of California Press. Available at: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08024.

Gorbman, C. and British Film Institute (1987) Unheard melodies: narrative film music. London: BFI Publishing.

Hayward, P. (ed.) (2009) Terror tracks: music, sound and horror cinema. London: Equinox.

Heldt, G. (2013) Music and levels of narration in film: steps across the border. Bristol: Intellect.

Hill, J. and Gibson, P.C. (1998) The Oxford guide to film studies. Oxford: Oxford University Press.

Hubbert, J.B. (2011) Celluloid symphonies: texts and contexts in film music history. Berkeley: University of California Press.

Kalinak, K.M. (1992) Settling the score: music and the classical Hollywood film. Madison: University of Wisconsin Press.

Kassabian, A. (2001) Hearing film: tracking identifications in contemporary Hollywood film music. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780203900802.

Larsen, P. (2007) Film music. London: Reaktion Books.

Nelmes, J. (2012) Introduction to film studies. 5th ed. London: Routledge.

Scheurer, T.E. (2008) Music and mythmaking in film: genre and the role of the composer. Jefferson, N.C.: McFarland.

Slobin, M. (2008) Global soundtracks: worlds of film music. Middletown, Conn: Wesleyan University Press.

Smith, J. (1998) The sounds of commerce: marketing popular film music. New York: Columbia University Press.

Tagg, P. and Clarida, R. (2003) Ten little title tunes: towards a musicology of the mass media. New York: Mass Media Music Scholars’ Press.

Wierzbicki, J.E. (2009) Film music: a history. New York: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780203884478.

Wierzbicki, J.E. (ed.) (2012) Music, sound and filmmakers: sonic style in cinema. New York, NY: Routledge.

Wierzbicki, J.E. et al. (2012) The Routledge film music sourcebook. 1st ed. New York: Routledge.

Wojcik, P.R. and Knight, A. (2001) Soundtrack available: essays on film and popular music, Overture. Durham, NC: Duke University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9780822380986.