Akomfrah, John, and Black Audio Film Collective, ‘The Last Angel of History’ (Brooklyn: Icarus Films, 2010)
Artaud, Antonin, ‘Artaud Le Momo’, in Watchfiends & Rack Screams: Works from the Final Period (Boston: Exact Change, 1995)
Ashery, Oreet, ‘Party for Freedom: Oreet Ashery’ (London: Performance Matters, 2013)
Badiou, Alain, ‘Cruelties’, in The Century (Cambridge: Polity, 2007)
Ballard, J. G., The Atrocity Exhibition (London: Harper Perennial, 2006)
Barney, Matthew, and Barbara Gladstone, ‘Cremaster 3: The Order’ (Palm Pictures, 2003)
Bataille, Georges, ‘Emily Bronte’, in Literature and Evil (London: Calder and Boyars, 1973)
———, ‘Preface’, in Literature and Evil (London: Calder and Boyars, 1973)
Beloufa, Neil, ‘Kempinski’, 2007
Bowie, David, ‘Aladdin Sane’, 1973 <https://youtu.be/q2y9inP4CqE>
———, ‘The Rise of Ziggy Stardust and the Spiders from Mars’ (RCA, 1972)
Brontë, Emily, Pauline Nestor, and Lucasta Miller, Wuthering Heights (London: Penguin Classics, 2008), Penguin classics <http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:ref:EALKN224:0>
Butler, Octavia E., Lilith’s Brood (Topeka: Econo Clad Books, 2000)
de Campos, Alvaro, ‘Maritime Ode’, in A Little Larger than the Entire Universe: Selected Poems (New York: Penguin Books, 2006), Penguin classics
Carax, Leos, ‘Holy Motors’ (Artificial Eye, 2013) <https://learningonscreen.ac.uk/ondemand/index.php/prog/030ED26B>
Catling, B., The Vorrh, First edition (New York: Vintage Books, A division of Random House LLC, 2015)
Cronenberg, David, and J. G. Ballard, ‘Crash’ (Alliance Communications/ Fine Line Features, 1996) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00854613>
David Bowie, ‘Station To Station’, 1976
Deleuze, Gilles, ‘Literature and Life’, in Essays Critical and Clinical (Minneapolis: Minnesota University Press, 1997), pp. 1–6
———, ‘Powers of the False’, in Cinema 2: The Time Image (London: Athlone, 1989), pp. 126–46 <https://ebookcentral.proquest.com/lib/goldsmiths/detail.action?docID=5309796>
———, ‘The Image of Thought’, in Difference and Repetition (London: Continuum, 2004)
Deleuze, Gilles, and Felix Guattari, ‘Conceptual Personae’, in What Is Philosophy? (New York: Columbia University Press, 1994), European perspectives
Derek Jarman, ‘A Journey to Avebury’, Derek Jarman - The Super 8 Films - Vol. 2 ( In the Shadow of the Sun / The Art of Mirrors / Ashden’s Walk on Møn / Stolen Apples for Karen Blixen / A Journey to Avebury )
Eshun, Kodwo, More Brilliant than the Sun: Adventures in Sonic Fiction (London: Quartet Books, 1998) <https://archive.org/details/morebrillianttha00eshu>
Firestone, Shulamith, The Dialectic of Sex: The Case for Feminist Revolution (London: Women’s Press, 1979)
Fisher, Mark, and Justin Barton, ‘On Vanishing Land’, 2013 <https://open.spotify.com/album/3crreJ2LnkYlOAAgke4JFa?si=j1zdQwWVQZ2rpUC2LIY83A&nd=1>
Freud, Sigmund, ‘Beyond the Pleasure Principle’, in On Metapsychology: The Theory of Psychoanalysis : ‘Beyond the Pleasure Principle’ ‘The Ego and the Id’ and Other Works (Harmondsworth: Penguin, 1991), The Penguin Freud library
Glissant, Edouard, and Betsy Wing, Poetics of Relation (Ann Arbor: University of Michigan Press, 1997)
Grotowski, Jerry, ‘He Wasn’t Entirely Himself’, in Towards a Poor Theatre (London: Methuen, 1968), Eyre Methuen dramabooks <https://ebookcentral.proquest.com/lib/goldsmiths/detail.action?docID=1075038>
Guattari, Felix, ‘A Liberation of Desire’, in The Guattari Reader (Oxford: Blackwell, 1996), Blackwell readers, 204–14
Hardy, Robin, and Anthony Schaffer, ‘The Wicker Man’ (British Lion, 1973) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001CAA81>
Hoban, Russell, Riddley Walker, Expanded ed (London: Bloomsbury, 2012)
Jodorowsky, Alejandro, ‘The Holy Mountain’ (Tartan Video, 2007)
Kathy Acker, Blood and Guts in High School, plus Two (London: Pan Books, 1987) <https://www.vlebooks.com/product/openreader?id=Goldsmiths&accId=8775256&isbn=9780241302521>
Lyotard, Jean François, and Iain Hamilton Grant, Libidinal Economy (London: Athlone, 1993)
Mizuta Lippit, Akira, ‘Reflections on Spectral Life’, Discourse, 30.1, 242–54 <http://muse.jhu.edu/journals/discourse/v030/30.1-2.lippit.html>
Parisi, Luciana, Abstract Sex: Philosophy, Bio-Technology and the Mutations of Desire (London: Continuum, 2004), Transversals <https://www.vlebooks.com/vleweb/product/openreader?id=Goldsmiths&isbn=9781847140340>
Ramsay, Lynne, Liana Dognini, and Alan Warner, ‘Morvern Callar’ (Company Pictures / Alliance Atlantis / BBC Films, 2002) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00801333>
Reed, Jeremy, Diamond Nebula: A Novel (London: Peter Owen, 1994)
Shakespeare, William, Jonathan Bate, Eric Rasmussen, and Royal Shakespeare Company, A Midsummer Night’s Dream (Basingstoke: Macmillan, 2008), RSC Shakespeare
Shakespeare, William, and Philip Edwards, Hamlet, Prince of Denmark (Cambridge: Cambridge University Press, 1985), The New Cambridge Shakespeare
Simondon, Gilbert, ‘On the Mode of Existence of Technical Objects’, Deleuze Studies, 5.3 (2011) <https://doi.org/http://dx.doi.org/10.3366/dls.2011.0029>
Smithson, Robert, and Nancy Holt, ‘Spiral Jetty’ (R. Smithson, 1970)
Trnka, Jiri, ‘A Midsummer Night’s Dream’, 1959
Von Trier, Lars, ‘The Idiots’ (Zentropa Entertainments, 2004) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B81C3>
Williams, Raymond, ‘Dominant, Residual and Emergent’, in Art in Theory, 1900-1990: An Anthology of Changing Ideas (Oxford: Blackwell, 1992), pp. 979–83
Yentob, Alan, ‘Omnibus: Cracked Actor’ (BBC, 1975)
Zupancic, Alenka, ‘Introduction: The Event Nietzsche’, in The Shortest Shadow: Nietzsche’s Philosophy of the Two (Cambridge, Mass: MIT, 2003), Short circuits
