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Lecture Notes - Lecture 3: The Beggar’s Opera and the Birth of the British Pop Song Industry.
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Joncus, B. Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. Journal of the Royal Musical Association 131, 179–226 (2006).
7.
Joncus, B. "The Assemblage of every female Folly”: Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. in Women, popular culture, and the eighteenth century 25–51 (University of Toronto Press, 2012).
8.
Joncus, Berta. ‘A Likeness Where None Was to Be Found’: Imagining Kitty Clive (1711-1785). Music in Art: International Journal for Music Iconography; Spring-Fall2009, Vol 34, 89–106 (2009).
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Aspden, S. Ballads and Britons: Imagined Community and the Continuity of ‘English’ Opera. Journal of the Royal Musical Association 122, 24–51 (1997).
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Fiske, Roger. English theatre music in the eighteenth century. (Oxford University Press, 1973).
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Joncus, Berta & Barlow, Jeremy. ‘The stage’s glory’: John Rich, 1692-1761. (University of Delaware Press, 2011).
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Gagey, Edmond McAdoo. Ballad opera. vol. Columbia University studies in English and comparative literature (B. Blom, 1965).
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Rogers, V. L. Writing plays ‘in the sing-song way’: Henry Fielding’s ballad operas and early musical theater in eighteenth-century London. (2007).
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Schultz, W. E. Gay’s Beggar’s opera: its content, history and influence. (Yale University Press, 1923).
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Ballad Operas Online. http://www.odl.ox.ac.uk/balladoperas/.
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Purcell, H. Gay: The Beggar’s Opera, Act I - Air: ‘Virgins are like the fair flower...’
