1.
Adler, S.: The study of orchestration. W.W. Norton and Company, New York (2016).
2.
Adler, S.: The study of orchestration. W.W. Norton, New York (2000).
3.
Adler, S.: The study of orchestration, (2002).
4.
Blatter, A.: Instrumentation and orchestration. Thomson, Boston, Mass (1997).
5.
Mathews, P.: Orchestration: an anthology of writings. Routledge, New York (2006).
6.
Piston, W.: Orchestration. Norton, New York (1955).
7.
Read, G.: Thesaurus of orchestral devices. Greenwood Press, New York (1969).
8.
Sevsay, E.: The Cambridge guide to orchestration. Cambridge University Press, Cambridge (2013).
9.
Leibowitz, R., Maguire, J.: Thinking for orchestra: practical exercises in orchestration. Schirmer, New York (1960).
10.
Lowell, D., Pullig, K., Gold, M.J.: Arranging for large jazz ensemble. Berklee Press, Boston, MA (2003).
11.
Nestico, S.: The complete arranger. Fenwood Music, Carlsbad, Ca (2006).
12.
Niles, R.: The invisible artist: arrangers in popular music (1950-2000). Niles Smiles Music, [United States] (2014).
13.
Pease, F., Pullig, K., Gold, M.: Modern jazz voicings: arranging for small and medium ensembles. Berklee Press, Boston (2001).
14.
Riddle, N.: Arranged by Nelson Riddle: the definitive study of arranging by America’s #1 composer, arranger, and conductor. Alfred, California (1985).
15.
Sebesky, D.: The contemporary arranger. Alfred Pub. Co, Van Nuys (1994).
16.
Sussman, R., Abene, M.: Jazz composition and arranging in the digital age. Oxford University Press, New York (2012).
17.
Tomaro, M., Wilson, J.: Instrumental jazz arranging: a comprehensive and practical guide. Hal Leonard, Milwaukee, Wis (2009).
18.
Gould, E.: Behind bars: the definitive guide to music notation. Faber Music, London (2011).
19.
Bley, C.: On the stage in cages. Alrac Music (1993).
20.
Davis, M., Evans, G., Mulligan, G., Lewis, J., Carisi, J.: Birth of the cool. H. Leonard Corp, Milwaukee, WI (2002).
21.
Carisi, J., Evans, G., Sultanof, J.: Springsville. Jazz Lines Publications, Saratoga Springs, NY (2011).
22.
Evans, G., Evans, G., Davis, M., DuBoff, R., Sultanof, J., Gil Evans Orchestra: Blues for Pablo: as recorded by the Miles Davis/Gil Evans Orchestra. Jazz Lines Publications, Saratoga Springs, NY (2010).
23.
Weill, K., Evans, G., Gil Evans Orchestra: My ship: as recorded by the Miles Davis/Gil Evans Orchestra. Jazz Lines Publications, Saratoga Springs, NY (2010).
24.
Lajoie, S.: Gil Evans & Miles Davis: historic collaborations : an analysis of selected Gil Evans works, 1957-1962. Advance Music, [Rottenburg am Neckar] (2003).
25.
Schneider, M., Sturm, F.: Evanescence. Universal Edition, Vienna (1998).
26.
Wheeler, K., Sturm, F.: Collected works on ECM. Universal Edition, Vienna (1997).
27.
Debussy, C.: Petite Suite. In: Lee, N. and Lemaître, E. (eds.) OEuvres pour piano à quatre mains et pour deux pianos. Durand, Paris, France (2013).
28.
Debussy, C., Busser, H.: Petite suite: pour orchestre. Durand, Paris (1907).
29.
Claude Debussy: Epigraphes Antiques. Durand, Paris, France (2013).
30.
Debussy, C., Ansermet, E.: Six epigraphes antiques. Durand, Paris (1939).
31.
Debussy, C.: Préludes Books 1 & 2. Durand-Costallat, Paris (1985).
32.
Debussy, C., Matthews, C.: Preludes: Canope. Faber Music, London (2008).
33.
Debussy, C., Matthews, C.: Preludes: Les tierces alternées. Faber Music, London (2008).
34.
Debussy, C., Matthews, C.: Preludes: La danse de Puck. Faber Music, London (2008).
35.
Grieg, E.: Peer Gynt suite, Holberg suite and other works for piano solo. Dover Publications, New York (1993).
36.
Grieg, E.: Aus Holbergs Zeit: suite for string orchestra, op. 40. Eulenburg, London.
37.
Mussorgsky, M.P.: Pictures from an exhibition. Schott, Mainz (1984).
38.
Mussorgsky, M.P., Ravel, M.: Pictures from an exhibition. Boosey & Hawkes, London (1929).
