1
Adler S. The study of orchestration. Fourth edition. New York: W.W. Norton and Company 2016.
2
Adler S. The study of orchestration. 3rd ed. New York: W.W. Norton 2000.
3
Adler S. The study of orchestration. 2002.
4
Blatter A. Instrumentation and orchestration. 2nd ed. Boston, Mass: Thomson 1997.
5
Mathews P. Orchestration: an anthology of writings. New York: Routledge 2006.
6
Piston W. Orchestration. New York: Norton 1955.
7
Read G. Thesaurus of orchestral devices. New York: Greenwood Press 1969.
8
Sevsay E. The Cambridge guide to orchestration. Cambridge: Cambridge University Press 2013.
9
Leibowitz R, Maguire J. Thinking for orchestra: practical exercises in orchestration. New York: Schirmer 1960.
10
Lowell D, Pullig K, Gold MJ. Arranging for large jazz ensemble. Boston, MA: Berklee Press 2003.
11
Nestico S. The complete arranger. Rev. ed. Carlsbad, Ca: Fenwood Music 2006.
12
Niles R. The invisible artist: arrangers in popular music (1950-2000). [United States]: Niles Smiles Music 2014.
13
Pease F, Pullig K, Gold M. Modern jazz voicings: arranging for small and medium ensembles. Boston: Berklee Press 2001.
14
Riddle N. Arranged by Nelson Riddle: the definitive study of arranging by America’s #1 composer, arranger, and conductor. California: Alfred 1985.
15
Sebesky D. The contemporary arranger. Definitive ed. Van Nuys: Alfred Pub. Co 1994.
16
Sussman R, Abene M. Jazz composition and arranging in the digital age. New York: Oxford University Press 2012.
17
Tomaro M, Wilson J. Instrumental jazz arranging: a comprehensive and practical guide. Milwaukee, Wis: Hal Leonard 2009.
18
Gould E. Behind bars: the definitive guide to music notation. London: Faber Music 2011.
19
Bley C. On the stage in cages. Alrac Music 1993.
20
Davis M, Evans G, Mulligan G, et al. Birth of the cool. Milwaukee, WI: H. Leonard Corp 2002.
21
Carisi J, Evans G, Sultanof J. Springsville. Saratoga Springs, NY: Jazz Lines Publications 2011.
22
Evans G, Evans G, Davis M, et al. Blues for Pablo: as recorded by the Miles Davis/Gil Evans Orchestra. Saratoga Springs, NY: Jazz Lines Publications 2010.
23
Weill K, Evans G, Gil Evans Orchestra. My ship: as recorded by the Miles Davis/Gil Evans Orchestra. The Jeffrey Sultanof master ed. Saratoga Springs, NY: Jazz Lines Publications 2010.
24
Lajoie S. Gil Evans & Miles Davis: historic collaborations : an analysis of selected Gil Evans works, 1957-1962. [Rottenburg am Neckar]: Advance Music 2003.
25
Schneider M, Sturm F. Evanescence. Vienna: Universal Edition 1998.
26
Wheeler K, Sturm F. Collected works on ECM. Vienna: Universal Edition 1997.
27
Debussy C. Petite Suite. In: Lee N, Lemaître E, eds. OEuvres pour piano à quatre mains et pour deux pianos. Paris, France: Durand 2013.
28
Debussy C, Busser H. Petite suite: pour orchestre. Paris: Durand 1907.
29
Claude Debussy. Epigraphes Antiques. Paris, France: Durand 2013.
30
Debussy C, Ansermet E. Six epigraphes antiques. Paris: Durand 1939.
31
Debussy C. Préludes Books 1 & 2. Paris: Durand-Costallat 1985.
32
Debussy C, Matthews C. Preludes: Canope. London: Faber Music 2008.
33
Debussy C, Matthews C. Preludes: Les tierces alternées. London: Faber Music 2008.
34
Debussy C, Matthews C. Preludes: La danse de Puck. London: Faber Music 2008.
35
Grieg E. Peer Gynt suite, Holberg suite and other works for piano solo. New York: Dover Publications 1993.
36
Grieg E. Aus Holbergs Zeit: suite for string orchestra, op. 40. London: Eulenburg .
37
Mussorgsky MP. Pictures from an exhibition. Mainz: Schott 1984.
38
Mussorgsky MP, Ravel M. Pictures from an exhibition. London: Boosey & Hawkes 1929.