Bibliography for European Cinema - Semester 1 BETA

Agnes, Varda. ‘Cléo de 5 Á 7’. 1962. Web. <http://www.worldcat.org/title/cleo-de-5-a-7/oclc/3634733&referer=brief_results>.

Alexander Kluge, Tamara Evans and Stuart Liebman. ‘The Assault of the Present on the Rest of Time’. New German Critique 49 (1990): 11–22. Web. <http://www.jstor.org/stable/488371>.

Alexander Kluge, Thomas Y. Levin and Miriam B. Hansen. ‘On Film and the Public Sphere’. New German Critique 24 (1982): 206–220. Web. <http://www.jstor.org/stable/10.2307/488051?origin=crossref>.

Allinson, Mark. A Spanish Labyrinth: The Films of Pedro Almodóvar. London: I.B. Tauris, 2001. Web. <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&amp;target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9786000006693>.

Almodóvar, Pedro. ‘All about My Mother’. 1999. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00104F91>.

---. ‘Dark Habits’. 1983 : n. pag. Print.

---. ‘High Heels’. 1991. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0B215C23>.

Almodovar, Pedro. ‘I’m so Excited’. 2013. Web. <http://encore.ulrls.lon.ac.uk/iii/encore/record/C__Rb3290741>.

Almodóvar, Pedro. ‘Pepi, Luci, Bom and Other Women on the Heap / Pepi, Luci, Bom y Otras Chicas Del Montón’. 1980 : n. pag. Print.

Almodóvar, Pedro. ‘The Law of Desire’. 1987 : n. pag. Print.

---. ‘Volver’. 2006. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0061CD6D>.

---. ‘Women on the Verge of a Nervous Breakdown’. 1988 : n. pag. Print.

Almodóvar, Pedro, Frédéric Strauss, and Yves Baignères. Almodóvar on Almodóvar. London: Faber and Faber, 1996. Print.

Andersson, Roy. ‘Songs from the Second Floor: [REGION 1 DVD]’. 2000 : n. pag. Print.

Andrew Bowie. ‘Alexander Kluge: An Introduction’. Cultural Critique 4 (1986): 111–118. Web. <http://www.jstor.org/stable/10.2307/1354336?origin=crossref>.

Anne Gillain. ‘The Script of Delinquency: Truffaut’s Les 400 Cents Coups’. French Film: Texts and Contexts. London: Routledge, 1989. Print.

Arcand, Denys et al. ‘Jesus of Montreal’. 2006 : n. pag. Print.

August, Bille. ‘Pelle the Conqueror’. 1988 : n. pag. Print.

Axel, Gabriel. ‘Babette’s Feast’. 2004. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED>.

Bardem, Juan Antonio. ‘Death of a Cyclist’. 1955 : n. pag. Print.

Bazin, André, Hugh Gray, and Jean Renoir. What Is Cinema?: [Vol. 1]. Berkeley: University of California Press, 1967. Print.

Becker, Wolfgang, and Bernd Lichtenberg. ‘Goodbye Lenin’. 2003 : n. pag. Print.

Bergman, Ingmar. ‘Autumn Sonata’. 1978. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B7F05>.

---. ‘Cries and Whispers’. 1972. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001BD519>.

---. ‘Det Sjunde Inseglet, (The Seventh Seal: [50th Anniversay Special Edition]’. 1957. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0005A5DC>.

---. ‘Fanny and Alexander’. 2009. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/000D94C8>.

---. Images: My Life in Film. New York: Arcade, 1994. Print.

---. ‘Jungfrukällen, (The Virgin Spring 1960)’. 2007. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001D27C6>.

---. ‘Nattvardsgästerna, (Winter Light, 1962)’. 1962. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0005DC17>.

Bergman, Ingmar. ‘Persona’. 1966. Web. <http://bobnational.net/record/63336>.

Bergman, Ingmar. ‘Såsom i En Spegel, (Through a Glass Darkly, 1961)’. 1961. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001BD831>.

---. ‘Sawdust and Tinsel’. 2012. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/006E0B62>.

Bergman, Ingmar, Sven Nykvist, et al. ‘Scenes from a Marriage’. 2003. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00204CA6>.

Bergman, Ingmar. ‘Smiles of a Summer Night’. 1955. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/001B743D>.

---. The Magic Lantern: An Autobiography. London: Penguin, 1988. Print.

---. ‘The Passion of Anna’. 1969 : n. pag. Print.

---. ‘The Seventh Seal: [50th Anniversay Special Edition]’. 1957 : n. pag. Print.

Bergman, Ingmar, Ingrid Thulin, et al. The Silence. AB Svensk Filmindustri / Tartan Video, 2001. Print.

Bergman, Ingmar. ‘Wild Strawberries / Smultronstället’. 1957. Web. <http://bobnational.net/record/25898>.

Bergman, Ingmar, and Ingmar Bergman. Persona and Shame: The Screenplays of Ingmar Bergman. London: Calder and Boyars, 1972. Print.

Bergman, Ingmar, Lars Malmström, and David Kushner. Wild Strawberries: A Film [Screenplay]. Modern film scripts. London: Lorrimer Publishing Ltd, 1970. Print.

Bersani, Leo, and Ulysse Dutoit. Arts of Impoverishment: Beckett, Rothko, Resnais. Cambridge, Mass: Harvard University Press, 1993. Print.

Bertolucci, Bernardo, and Alberto Moravia. ‘Il Conformista (The Conformist)’. 1970. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00527B1E>.

Besas, Peter. Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy. Denver: Arden Press, 1985. Print.

---. Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy. Denver: Arden Press, 1985. Print.

Blackwell, Marilyn Johns. Gender and Representation in the Films of Ingmar Bergman. Studies in Scandinavian literature and culture. Columbia, SC, USA: Camden House, 1997. Print.

Blakeway, Claire. Jacques Prevert: Popular French Theatre and Cinema. London: Fairleigh Dickinson University Press, 1990. Print.

Blank, Les, Maureen Gosling, and Michael Goodwin. ‘Burden of Dreams’. 1982 : n. pag. Print.

Bondanella, Peter E. Italian Cinema: From Neorealism to the Present. 3rd ed. New York: Continuum, 2001. Print.

Borau, Jose Luis. ‘Furtivos (Poachers)’. 1975 : n. pag. Print.

Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Print.

Bresson, Robert et al. ‘Diary of a Country Priest’. 2008 : n. pag. Print.

---. ‘Les Dames Du Bois de Boulogne’. Web. <http://encore.ulrls.lon.ac.uk/iii/encore/record/C__Rb3301248__S%28bresson%20les%20dames%29__Orightresult__X2?lang=eng&suite=cobalt>.

Brigitte Rollet. ‘Paris Nous Appartient: Flânerie in Paris and Film’. Film Quarterly 61.3 (2008): 46–51. Web. <http://www.jstor.org/stable/10.1525/fq.2008.61.3.46>.

Brynych, Zbynek. ...‘...A Páty Jezdec Je Strach (...and the Fifth Horseman Is Fear)’. 1965 : n. pag. Print.

Buchar, Robert. Czech New Wave Filmmakers in Interviews. Jefferson: McFarland, 2004. Print.

Buñuel, Luis. An Unspeakable Betrayal: Selected Writings of Luis Buänuel. Berkeley, Calif: University of California Press, 2000. Print.

Buñuel, Luis, Manuel Altolaguirre, et al. ‘Mexican Bus Ride’. 1951 : n. pag. Print.

Buñuel, Luis. ‘Simón Del Desierto’. 1965 : n. pag. Print.

---. ‘Terre sans Pain’. 1932 : n. pag. Print.

Buñuel, Luis, Salvador Dalí, et al. ‘Un Chien Andalou; L’age d’or’. 1928 : n. pag. Print.

Buñuel, Luis. ‘Viridiana’. 1961 : n. pag. Print.

Buñuel, Luis, Luis Alcoriza, and Oscar Danciger. ‘Los Olvidados’. 1950 : n. pag. Print.

Buñuel, Luis, and Julio Alejandro. ‘Tristana’. 1970 : n. pag. Print.

Buñuel, Luis, Julio Alejandro, and Piergiuseppe Bozzetti. Viridiana. Script and director. Portsmouth, N.H.: Heinemann, 1996. Print.

Buñuel, Luis, and Jean-Claude Carrière. ‘Belle de Jour’. 1967 : n. pag. Print.

---. ‘The Discreet Charm of the Bourgeoisie’. 1972 : n. pag. Print.

Buñuel, Luis, and Abigail Israel. My Last Breath. London: Vintage, 1994. Print.

Cain, James M. et al. ‘Ossessione’. 1942 : n. pag. Print.

Carné, Marcel and Prévert, Jacques. ‘Le Jour Se Lève / Daybreak’. 1939 : n. pag. Print.

Carné, Marcel, and Jacques Prévert. ‘Quai Des Brumes’. 1938 : n. pag. Print.

‘Caryatids of Time: Temporality in the Cinema of Agnes Varda’. PAJ: A Journal of Performance and Art 19.3 (1997): 1–10. Web. <http://muse.jhu.edu/journals/performing_arts_journal/v019/19.3biro.html>.

Cesare, Zavattini. ‘Some Ideas on the Cinema’. 64–9. Web. <http://fiaf.chadwyck.com/fulltext/pageimage.do?id=005/p209-1953-023-02-000011&area=index&fromToC=yes&jid=006/0000306>.

Chabrol, Claude. ‘Le Beau Serge’. 1959. Web. <http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150026118>.

---. ‘Les Cousins’. 1959 : n. pag. Print.

Chabrol, Claude, and Paul Gegauff. ‘Les Biches’. 1968 : n. pag. Print.

Chabrol, Claude, Paul Gegauff, and Nicholas Blake. ‘Que La Bete Meure’. 1969. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0014331B>.

Chytilova, Vera. ‘O Necem Jinem (Something Different)’. 1963. Web. <http://www.imdb.com/title/tt0057374/>.

Chytilova, Vera, Krumbachova, Ester, and Juracek, Pavel. ‘Daisies / Sedmikrásky’. 1966 : n. pag. Print.

Cohen, Hubert I. Ingmar Bergman: The Art of Confession. Twayne’s filmmakers series. New York: Twayne, 1993. Print.

Costa-Gavras. ‘Z’. 200AD : n. pag. Print.

Cottingham, Laura. Fear Eats the Soul. BFI film classics. London: BFI, 2005. Print.

Cowie, Peter and Scandinavian Films. Scandinavian Cinema: A Survey of the Films and Film-Makers of Denmark, Finland, Iceland, Norway, and Sweden. London: Tantivy Press on behalf of ‘Scandinavian Films’, 1992. Print.

Cua Lim, Bliss. ‘Dolls in Fragments: Daisies as Feminist Allegory’. 16: 2.47 37–77. Web. <http://cameraobscura.dukejournals.org/content/16/2_47/37.short>.

Dalí, Salvador, and Luis Buñuel. ‘Un Chien Andalou’. 2005 : n. pag. Print.

David Wills. ‘Carmen: Sound/Effect’. Cinema Journal 25.4 (1986): 33–43. Web. <http://www.jstor.org/stable/10.2307/1225081?origin=crossref>.

De Sica, Vittorio et al. ‘Shoeshine =: Sciuscià’. 1946 : n. pag. Print.

De Sica, Vittorio, Oreste Biancoli, and Luigi Bartolini. Bicycle Thieves: A Film. London: Faber and Faber, 1994. Print.

De Sica, Vittorio, and Cesare Zavattini. ‘Umberto D’. 2004 : n. pag. Print.

Demy, Jacques. ‘Lola’. 1960 : n. pag. Print.

Demy, Jacques, Michel Legrand, and Francois Reichenbach. ‘The Umbrellas of Cherbourg’. 2005. Web. <https://vimeo.com/87040956>.

D’Lugo, Marvin. The Films of Carlos Saura: The Practice of Seeing. Princeton: Princeton University Press, 1991. Print.

Don Allen. Finally Truffaut. London: Secker & Warburg, 1985. Web. <http://encore.ulrls.lon.ac.uk/iii/encore/record/C__Rb1076129>.

Dreyer, Carl Theodor et al. ‘Ordet’. 2006. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/005076AE>.

---. ‘Ordet’. 2006. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/005076AE>.

---. ‘The Passion of Joan of Arc’. 2012 : n. pag. Print.

Dreyer, Carl Theodor, Joseph Delteil, and Richard Einhorn. ‘The Passion of Joan of Arc: [REGION 1 DVD]’. 1928 : n. pag. Print.

Duras, Marguerite, Alain Resnais, and Richard Seaver. Hiroshima Mon Amour: [Screenplay]. New York: Grove Press, 2000. Print.

Duvivier, Julien, and Henri Jeanson. ‘Pépé Le Moko’. 1937 : n. pag. Print.

Edwards, Gwynne. Indecent Exposures: Bunuel, Saura, Erice & Almodovar. London: Boyars, 1995. Print.

---. Indecent Exposures: Bunuel, Saura, Erice & Almodovar. London: Boyars, 1995. Print.

Elsaesser, Thomas. Fassbinder’s Germany: History, Identity, Subject. Film culture in transition. Amsterdam: Amsterdam University Press, 1996. Web. <https://www.dawsonera.com/abstract/9789048503506>.

---. New German Cinema: A History. [London]: British Film Institute, 1989. Print.

Enquist, Per Olov, Ingmar Bergman, and Victor Sjostrom. ‘The Phantom Carriage; The Image Makers’. : n. pag. Print.

Eric Rentschler. ‘Kluge, Film History, and Eigensinn: A Taking of Stock from the Distance’. New German Critique 31 (1984): 109–124. Web. <http://www.jstor.org/stable/10.2307/487891?origin=crossref>.

Erice, Víctor, and Angel Fernandez Santos. ‘The Spirit of the Beehive’. 1973. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/004F414C>.

Evans, Peter William. Spanish Cinema: The Auteurist Tradition. Oxford: Oxford University Press, 1999. Print.

Ezra, Elizabeth, and Sue Harris. France in Focus: Film and National Identity. Oxford: Berg, 2000. Print.

Fassbinder, Rainer Werner. ‘Fear Eats the Soul / Angst Essen Seele Auf’. 1973 : n. pag. Print.

Fassbinder, Rainer Werner. ‘Fox and His Friends’. 1975 : n. pag. Print.

---. ‘Love Is Colder than Death’. 2003 : n. pag. Print.

---. ‘The Bitter Tears of Petra von Kant’. 1972 : n. pag. Print.

---. ‘The Merchant of Four Seasons’. 1971 : n. pag. Print.

Fassbinder, Rainer Werner, and Alfred Döblin. ‘Berlin Alexanderplatz: [Complete Series]’. 1979 : n. pag. Print.

Fassbinder, Rainer Werner, and Michael Fengler. ‘Why Does Herr R. Run Amok ?’ 1969 : n. pag. Print.

Fassbinder, Rainer Werner, and Theodor Fontane. ‘Effi Briest’. 1974 : n. pag. Print.

Fassbinder, Rainer Werner, Per Frohlich, and Peter Martesheimer. ‘Lola’. 1982 : n. pag. Print.

Fassbinder, Rainer Werner, Peter Märthesheimer, and Pea Frohlich. ‘The Marriage of Maria Braun’. 1978 : n. pag. Print.

---. ‘Veronika Voss’. 1981 : n. pag. Print.

Fassbinder, Rainer Werner, Tom Stoppard, and Vladimir Vladimirovich Nabokov. ‘Despair’. 1978 : n. pag. Print.

Flinn, Caryl. The New German Cinema: Music, History, and the Matter of Style. Berkeley, Calif: University of California Press, 2004. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08191>.

Flitterman-Lewis, Sandy. To Desire Differently: Feminism and the French Cinema. Urbana: University of Illinois Press, 1990. Print.

Forgacs, David et al. Roberto Rossellini: Magician of the Real. London: bfi Publishing, 2000. Print.

---. Rome Open City =: Roma Citta Aperta. BFI film classics. London: BFI Pub, 2000. Print.

Forman, Milos et al. ‘Blonde in Love = Lásky Jedné Plavovlásky’. 2011 : n. pag. Print.

---. ‘Cerný Petr (Black Peter)’. 1964 : n. pag. Print.

Forman, Milos, Passer, Ivan, and Papousek, Jaroslav. ‘The Firemen’s Ball / Hori, Má Penenko’. 1967 : n. pag. Print.

François Truffaut. The 400 Blows. Ed. David Denby. New York: Grove Press, 1969. Print.

Frank P. Tomasulo. ‘“Bicycle Thieves”: A Re-Reading’. Cinema Journal 21.2 (1982): 2–13. Web. <http://www.jstor.org/stable/1225033>.

Frantisek, Daniel. ‘The Czechoslovakian Academy of Arts 20.1 (1968): 11-14.’ 20.1 (1968): 11–14. Print.

Fred Simeral. ‘The Child-Centered Films of Truffaut’. The French Review 51.5 (1978): 761–762. Web. <http://www.jstor.org/stable/389153>.

French, Philip, and Kersti French. Wild Strawberries. BFI film classics. London: BFI Publishing, 1995. Print.

García Ballester, Luis, and Juan Antonio Bardem. ‘Bienvenido Mister Marshall’. 1952 : n. pag. Print.

Garrone, Matteo et al. ‘Gomorrah’. 2008 : n. pag. Print.

George, Franju. ‘Le Sang Des Bêtes (1949, Short); Hotêl Des Invalides (1952, Short); Le Grand Méliès (1952, Short)’. : n. pag. Print.

Gibson, Arthur. The Rite of Redemption in the Films of Ingmar Bergman: The Rite, the Virgin Spring, Hour of the Wolf, Shame, Passion of Anna, the Touch, Cries and Whispers. Lewiston: E. Mellen Pr, 1993. Print.

Godard, Jean Luc, Anne-Marie Miéville, et al. ‘First Name Carmen’. 2007 : n. pag. Print.

Godard, Jean Luc, Nicholas Fry, et al. Weekend; and, Wind from the East: Two Films : [Screenplays]. Modern film scripts. London (47 Dean St., W.1): Lorrimer Publishing Ltd, 1972. Print.

Godard, Jean-Luc. ‘For Ever Mozart : 36 Personnages En Quête d’histoire’. 1996 : n. pag. Print.

---. Godard on Godard: Critical Writings. New York: Da Capo Press, 1986. Print.

---. ‘Le Petit Soldat’. 1963 : n. pag. Print.

---. ‘Two or Three Things I Know about Her’. 1966 : n. pag. Print.

---. ‘Une Femme Est Une Femme’. 1961 : n. pag. Print.

Godard, Jean-Luc, and Marcel Sacotte. ‘Vivre Sa Vie’. 1962 : n. pag. Print.

Godard, Jean-Luc and Truffaut, François. ‘A Bout de Souffle’. 1959 : n. pag. Print.

Gordon, Robert S. C. Bicycle Thieves =: Ladri Di Biciclette. BFI film classics. Basingstoke: Palgrave Macmillan, 2008. Print.

Gottlieb, Sidney. Roberto Rossellini’s Rome Open City. Cambridge film handbooks series. Cambridge: Cambridge University Press, 2004. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb07655>.

Greene, Naomi. The French New Wave: A New Look. Short cuts. London: Wallflower, 2007. Print.

H. Marshall Leicester, Jr. ‘Discourse and the Film Text: Four Readings of “Carmen”’. Cambridge Opera Journal 6.3 (1994): 245–282. Web. <http://www.jstor.org/stable/823734>.

Hallström, Lasse, and Reidar Jönsson. ‘My Life as a Dog’. 1985. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0006F372>.

Hamer, Bent, and Jörgen Bergmark. ‘Kitchen Stories’. 2004. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/005436DC>.

Hames, Peter. The Czechoslovak New Wave. 2nd ed. London: Wallflower, 2005. Print.

Hauff, Reinhard. ‘Stammheim: Die Baader-Meinhof-Gruppe Vor Gericht’. 1986 : n. pag. Print.

Hayward, Susan. Cinema Studies: The Key Concepts. 3rd ed. London: Routledge, 2006. Web. <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&amp;target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780203075555>.

Herzog, Werner. ‘Aguirre: Wrath of God’. 1973 : n. pag. Print.

---. ‘Fitzcarraldo’. 1982 : n. pag. Print.

---. ‘Lebenszeichen (Signs of Life)’. 1967. Web. <http://www.amazon.co.uk/Signs-Life-DVD-Region-NTSC/dp/B0009KA7D6/ref=sr_1_3?s=dvd&ie=UTF8&qid=1406289161&sr=1-3&keywords=herzog+signs+of+life>.

Higginbotham, Virginia. Spanish Film under Franco. 1st ed. Austin: University of Texas Press, 1988. Print.

Higgins, Lynn A. New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France. Stages. Lincoln: University of Nebraska Press, 1996. Print.

Hopewell, John and British Film Institute. Out of the Past: Spanish Cinema after Franco. London: British Film Institute, 1986. Print.

Hubner, Laura. The Films of Ingmar Bergman: Illusions of Light and Darkness. Basingstoke: Palgrave Macmillan, 2007. Web. <https://www.dawsonera.com/Shibboleth.sso/Login?entityID=https://idp.goldsmiths.ac.uk/idp/shibboleth&amp;target=https://www.dawsonera.com/depp/shibboleth/ShibbolethLogin.html?dest=https://www.dawsonera.com/abstract/9780230801387>.

Insdorf, Annette. François Truffaut. Rev. and updated ed. Cambridge: Cambridge University Press, 1994. Print.

Jack Zipes. ‘The Political Dimensions of The Lost Honor of Katharina Blum’. New German Critique 12 (1977): 75–84. Web. <http://www.jstor.org/stable/487757>.

Jakubisko, Juraj. ‘Deserters and Pilgrims’. 1968. Web. <http://www.jakubiskofilm.com/en/movies/15-deserters-and-pilgrims/>.

Jasny, Vojtech. ‘Vsichni Dobri Rodachi (All My Compatriots)’. 1969 : n. pag. Print.

Kadar, Jan, and Elmar Klos. ‘Obchod Na Kortze (The Shop On Main Street)’. 1965 : n. pag. Print.

Kalin, Jesse. The Films of Ingmar Bergman. Cambridge film classics. Cambridge: Cambridge University Press, 2003. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb07675>.

Kardish, Laurence, Juliane Lorenz, and Museum of Modern Art (New York, N.Y). Rainer Werner Fassbinder. New York: Museum of Modern Art, 1997. Print.

Kieslowski, Krzysztof, and Krzysztof Piesiewicz. ‘Ten Commandments: Parts 1-5’. 1988 : n. pag. Print.

---. ‘Ten Commandments: Parts 6-10’. 1988 : n. pag. Print.

Kinder, Marsha. Blood Cinema: The Reconstruction of National Identity in Spain. Berkeley: University of California Press, 1993. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb08027>.

Kluge, Alexander. ‘Abschied von Gestern; Gelegenheitsarbeit Einer Sklavin’. 2007 : n. pag. Print.

Kluge, Alexander. ‘Die Artisten in Der Zirkuskuppel: Ratlos / Artists in the Circus Tent : Clueless’. 1967 : n. pag. Print.

Kluge, Alexander. ‘Wilder Reiter GmbH’. 1967 : n. pag. Print.

Knight, Julia. New German Cinema: Images of a Generation. Short cuts. London: Wallflower, 2004. Print.

---. Women and the New German Cinema. Questions for feminism. London: Verso, 1992. Print.

‘La Femme d’ à Côté’. 2011. Web. <http://encore.ulrls.lon.ac.uk/iii/encore/record/C__Rb3303192__Sthe%20woman%20next%20door__P0%2C4__Orightresult__X1?lang=eng&suite=cobalt>.

Malle, Louis et al. ‘Atlantic City’. 2008 : n. pag. Print.

---. ‘Au Revoir Les Enfants’. 1987 : n. pag. Print.

---. ‘Le Souffle Au Coeur’. 1971 : n. pag. Print.

Malle, Louis, Noel Calef, and Roger Nimier. ‘Ascenseur Pour l’échafaud’. 1957 : n. pag. Print.

Malle, Louis, and Jean-Paul Rappeneau. ‘Zazie Dans Le Metro’. 1960 : n. pag. Print.

Malle, Louis, Louise de Vilmorin, and Dominique Vivant. ‘Les Amants’. 1958 : n. pag. Print.

Marcel Carné, and Prevert Jacques. Le Jour Se Lève. Lorrimer Publishing, 1970. Print.

Marcus, Millicent Joy. Italian Film in the Light of Neorealism. Princeton, N.J.: Princeton University Press, 1986. Print.

Marie, Michel. The French New Wave: An Artistic School. Oxford: Blackwell, 2002. Print.

Marker, Chris. ‘La Jetée; Sans Soleil’. 1962 : n. pag. Print.

---. ‘La Jetée; Sans Soleil’. 1962 : n. pag. Print.

---. ‘Le Joli Mai’. 2013 : n. pag. Print.

---. ‘Le Train En Marche [The Train Rolls On]’. 1973 : n. pag. Print.

Mazierska, Ewa. Masculinities in Polish, Czech and Slovak Cinema: Black Peters and Men of Marble. New York: Berghahn Books, 2008. Print.

---. Masculinities in Polish, Czech and Slovak Cinema: Black Peters and Men of Marble. New York: Berghahn Books, 2008. Print.

Melville, Jean-Pierre, and Auguste Le Breton. ‘Bob Le Flambeur’. 1955 : n. pag. Print.

Melville, Jean-Pierre, and Pierre Lesou. ‘Le Doulos’. 1962 : n. pag. Print.

Menzel, Jiri, and Bohumil Hrabal. ‘Closely Observed Trains’. 1966 : n. pag. Print.

Michaels, Lloyd. Ingmar Bergman’s Persona. The Cambridge University Press film handbooks series. Cambridge: Cambridge University Press, 2000. Web. <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb07620>.

Michel Marie. A Bout de Souffle. Paris: Nathan, 1999. Print.

Miriam Hansen. ‘Reinventing the Nickelodeon: Notes on Kluge and Early Cinema’. October 46 (1988): 178–198. Web. <http://www.jstor.org/stable/10.2307/778685?origin=crossref>.

Morrey, Douglas. Jean-Luc Godard. French film directors. Manchester: Manchester University Press, 2005. Print.

Mouton, Janice. ‘From Feminine Masquerade to Flaneuse: Agnes Varda’s Cleo in the City’. Cinema Journal 40.2 (2001): 3–16. Web.

Musil, Robert, Volker Schlöndorff, and Herbert Asmodi. ‘Der Junge Törless’. 1966 : n. pag. Print.

Nana, Moretti. ‘Habemus Papam’. 2011. Web. <http://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150744551>.

Neupert, Richard John. A History of the French New Wave Cinema. 2nd ed. Wisconsin studies in film. Madison: University of Wisconsin Press, 2007. Print.

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