| Name |
Code |
Type |
|
|
Module |
|
|
Module |
| 15,000 WORD DISSERTATION / PRACTICE BASED RESEARCH PROJECT |
DR71062A |
Module |
| ACTING IN LONDON |
DR50002A |
Module |
| AFRICAN DRAMA, THEATRE AND PERFORMANCE |
DR71065A |
Module |
| ANALYTIC VOCABULARIES |
DR51003A |
Module |
| APPLIED DRAMA IN SITES OF CONFLICT |
DR71063A |
Module |
| APPLIED DRAMA: HISTORY, THEORY AND CONTEXTS |
DR71092A |
Module |
| ART: ECOLOGY AND BEING |
DR71076C |
Module |
| ASIAN THEATRE |
DR71101A |
Module |
| BERTOLT BRECHT AND POLITICAL THEATRE |
DR52113A |
Module |
| BLACK BRITISH THEATRE |
DR71069A |
Module |
| BRITISH AND AMERICAN MUSICAL THEATRE |
DR50004A |
Module |
| CASE STUDY (PRODUCERS) |
DR71037B |
Module |
| CASE STUDY (WRITERS AND COMPOSERS) |
DR71035B |
Module |
| Comedy 1 |
DR51019A |
Module |
| CONTEMPORARY AFRICAN THEATRE AND DRAMA |
DR71099A |
Module |
| CONTEMPORARY DIRECTORS |
DR71044A |
Module |
| CONTEMPORARY DRAMATURGY: INDEPENDENT PRACTICE |
DR53042A |
Module |
| CONTEMPORARY DRAMATURGY: RESEARCH AND EXPLORATION |
DR53041A |
Module |
| CONTEMPORARY PERFORMANCE IN LONDON |
DR50005A |
Module |
| CONTEXTUAL COURSE |
DR71077A |
Module |
| CORPOREALITY, EMBODIMENT, ALTERNATIVE SPACES |
DR71039A |
Module |
| CREATIVE INTERVENTION IN TEXT |
DR71087A |
Module |
| CREATIVE WORKSHOP |
DR71036B |
Module |
| CULTURAL THEORY, PERFORMANCE, INTERDISCIPLINARY PERSPECTIV |
DR71015A |
Module |
| CULTURE AND PERFORMANCE A |
DR53033A |
Module |
| CULTURE AND PERFORMANCE B |
DR53034A |
Module |
| CULTURE AND PERFORMANCE B: ART AND JAPAN |
DR53100B |
Module |
| CULTURE AND PERFORMANCE B: ART AND JAPAN |
DR53100A |
Module |
| CULTURE AND PERFORMANCE B: CULTURE AND ITS DOUBLES |
DR53105A |
Module |
| CULTURE AND PERFORMANCE B: MODERN BLACK, BRITISH AND AMERI |
DR53101A |
Module |
| CULTURE AND PERFORMANCE B: PERFORMANCES OF PROTEST, RESIST |
DR53103A |
Module |
| CULTURE AND PERFORMANCE B: SPACE AND MARGINALITY IN MINORI |
DR53106A |
Module |
| CULTURE AND PERFORMANCE B: THEATRE AS A LEARNING MEDIUM |
DR53104B |
Module |
| CULTURE AND PERFORMANCE B: TRANSLATIONS ACROSS LANGUAGES, |
DR53102A |
Module |
| CULTURE AND PERFORMANCE C |
DR53035A |
Module |
| DISABILITY THEATRE |
DR71098A |
Module |
| DISPLACEMENT AND DIFFERENCE: NON-WESTERN INFLUENCES ON MOD |
DR52115A |
Module |
| DISSERTATION |
DR53036B |
Module |
| DISSERTATION (12,000 WORD) |
DR71068A |
Module |
| DISSERTATION (CCE) |
DR71073A |
Module |
| DISSERTATION (PERFORMANCE AND CULTURE) |
DR71016A |
Module |
| DISSERTATION (PERFORMANCE MAKING) |
DR71083A |
Module |
| DRAMA PRODUCTION 1A: MODES AND CONVENTIONS |
DR51004A |
Module |
| DRAMA PRODUCTION 1B: CONTEMPORARY THEATRE MAKING |
DR51005A |
Module |
| DRAMA PRODUCTION 1C |
DR51008A |
Module |
| DRAMA PRODUCTION 2 |
DR52018A |
Module |
| DRAMA PRODUCTION 3 |
DR53032A |
Module |
| DRAMA PRODUCTION: SUMMER PROJECTS (DE) |
DR51008B |
Module |
| DRAMA PRODUCTION: SUMMER PROJECTS (DT) |
DR51012A |
Module |
| DRAMATURGY |
DR53037A |
Module |
| DRAMATURGY |
DR71085A |
Module |
| EASTERN EUROPEAN THEATRE |
DR71100A |
Module |
| ELEMENTS OF THEATRE HISTORY |
DR52017A |
Module |
| ELEMENTS OF THEATRE HISTORY: AFRICAN THEATRE |
DR52106A |
Module |
| ELEMENTS OF THEATRE HISTORY: AMERICAN THEATRE IN THE MID 2 |
DR52107A |
Module |
| ELEMENTS OF THEATRE HISTORY: CHINESE AND SINOPHONE THEATRE |
DR52101A |
Module |
| ELEMENTS OF THEATRE HISTORY: CLASSICAL GREEK THEATRE |
DR52100A |
Module |
| ELEMENTS OF THEATRE HISTORY: FRENCH THEATRE |
DR52108A |
Module |
| ELEMENTS OF THEATRE HISTORY: POST WAR BRITISH THEATRE |
DR52109A |
Module |
| ELEMENTS OF THEATRE HISTORY: RUSSIAN THEATRE |
DR52104A |
Module |
| ELEMENTS OF THEATRE HISTORY: SHAKESPEARE AND RENAISSANCE T |
DR52102A |
Module |
| ELEMENTS OF THEATRE HISTORY: SPANISH AND CATALAN THEATRE |
DR52105A |
Module |
| ELEMENTS OF THEATRE HISTORY: THEATRE OF REVIVAL AND REVOLT |
DR52103A |
Module |
| FINAL PROJECT - DRAMATURGY |
DR71088A |
Module |
| FINAL PROJECT - PLAYWRITING |
DR71088B |
Module |
| GENRE AND AESTHETICS |
DR71097A |
Module |
| GENRE STUDY |
DR71034A |
Module |
| HISTORICISING THE FIELD |
DR71095A |
Module |
| HISTORICIZING THEATRE |
DR71040A |
Module |
| HOW THE STORY IS TOLD |
DR53039A |
Module |
| INDEPENDENT STUDY (MA PERFORMANCE AND CULTURE) |
DR71017A |
Module |
| INDIGENOUS AFRICAN THEATRE AND PERFORMANCE |
DR71064A |
Module |
| INTERCULTURALITY, TEXT, POETICS |
DR71096A |
Module |
| INTERNSHIP: AUDIENCE DEVELOPMENT AND FUNDRAISING AND PROFESSIONAL PRACTICE |
DR71072A |
Module |
| INTRODUCTION TO DRAMATURGY |
DR51014A |
Module |
| INTRODUCTION TO DRAMATURGY |
DR51014B |
Module |
| LONDON THEATRE |
DR50001B |
Module |
| MODERNISMS AND POSTMODERNITY A |
DR52019B |
Module |
| MODERNISMS AND POSTMODERNITY B |
DR52020A |
Module |
| NEW PERFORMANCE WRITING IN THE UK |
DR71047A |
Module |
| PERFORMANCE ANALYSIS: CONTEMPORARY PERFORMANCE IN LONDON |
DR51009A |
Module |
| PERFORMANCE MAKING A |
DR71081B |
Module |
| PERFORMANCE MAKING B |
DR71082A |
Module |
| PERFORMANCE PRAXIS |
DR71084B |
Module |
| PERFORMANCE THEORY/PRACTICE (0.5) |
DR52016B |
Module |
| PERFORMANCE, ART AND HEALTH |
DR71094A |
Module |
| PLACEMENT AND CRITICAL REFLECTION |
DR71093B |
Module |
| PLACEMENT AND CRITICAL REFLECTION |
DR71093A |
Module |
| POSTCOLONIAL THEATRE |
DR52111A |
Module |
| PRACTICAL STUDY |
DR71080B |
Module |
| PRISONS, PUNISHMENT, PERFORMANCE |
DR71063B |
Module |
| PROCESSES OF THEATRE MAKING |
DR51006A |
Module |
| PRODUCTION WORKSHOP |
DR71038B |
Module |
| PROJECT/PORTFOLIO (CCE) |
DR71074A |
Module |
| QUESTIONS OF DRAMATURGY |
DR51011C |
Module |
| QUESTIONS OF PERFORMANCE |
DR52016G |
Module |
| QUESTIONS OF PERFORMANCE |
DR52016C |
Module |
| QUESTIONS OF PERFORMANCE (ENGLISH AND DRAMA PATHWAY) A AUT |
DR52016E |
Module |
| QUESTIONS OF PERFORMANCE (ENGLISH AND DRAMA PATHWAY) B SPR |
DR52016F |
Module |
| Questions of Performance: Drama and Theatre Arts Pathway |
DR52106C |
Module |
| Questions of Performance: Memory |
DR54320 |
Module |
| QUESTIONS OF SCENOGRAPHY/QUESTIONS OF DRAMATURGY |
DR51013C |
Module |
| RADICAL PERFORMANCE |
DR71048A |
Module |
| RESEARCH PROJECT |
DR71103A |
Module |
| SAMUEL BECKETT: PERFORMANCE, WRITING AND PHILOSOPHY |
DR52110A |
Module |
| SCENOGRAPHY |
DR51013B |
Module |
| SECTOR OVERVIEW: PERFORMING ARTS AND AUDIENCE DEVELOPMENT AND FUNDRAISING |
DR71071A |
Module |
| SHAKESPEARE'S LONDON |
DR50003B |
Module |
| SOCIOCULTURAL APPROACHES TO THE MUSICAL |
DR71049B |
Module |
| SPACE-BODY-SPECTATOR |
DR51007B |
Module |
| SPEAKING SHAKESPEARE |
DR53040A |
Module |
| SPECIAL OPTIONS B |
DR53030A |
Module |
| SPECIAL OPTIONS C |
DR53031A |
Module |
| SPECIAL OPTIONS D: DISSERTATION |
DR53036A |
Module |
| THE BODY, SPACE AND SPECTATOR |
DR51007C |
Module |
| THE REFLEXIVE PRACTITIONER |
DR71104A |
Module |
| THEATRE AND THE ARTISTIC AVANT-GARDE |
DR52112A |
Module |
| THEATRE MAKING 1 |
DR51012B |
Module |
| Theatre Making 2 |
DR52018E |
Module |
| THEATRE MAKING 2 |
DR52018C |
Module |
| THEATRE MAKING 2 |
DR52018D |
Module |
| THEATRE MAKING 3 |
DR53032D |
Module |
| THEATRE MAKING 3: ACTING AND SOLO PERFORMANCE |
DR53125A |
Module |
| THEATRE MAKING 3: DEVISED COMMUNITY PERFORMANCE |
DR53121A |
Module |
| THEATRE MAKING 3: DEVISED PERFORMANCE |
DR53122A |
Module |
| THEATRE MAKING 3: INDEPENDENT PROJECT |
DR53124A |
Module |
| THEATRE MAKING 3: LIVE ART / PERFORMANCE ART |
DR53120A |
Module |
| THEATRE MAKING 3: TEXT AND PERFORMANCE |
DR53123A |
Module |
| THEATRE MAKING: SCENOGRAPHY AND TECHNOLOGIES |
DR51010C |
Module |
| THEORIES AND PRACTICES OF THEATRE-FOR-DEVELOPMENT IN AFRICA |
DR71066A |
Module |
| WOMEN, FEMINISM AND PLAYWRITING |
DR52114A |
Module |
| WORLD THEATRES: CONTEXTS AND PRACTICES |
DR71102A |
Module |
| WRITING PROJECTS |
DR71086A |
Module |
